Escaping from Joint Locks Using Tai Chi Energy Concepts

There are valuable concepts in Taijiquan that make it a powerful art for self-defense. One of the interesting ideas is "taking the energy where it wants to go."

Last week, Colin and Justin and I recorded several escapes from Chin-Na joint locks. A longer version with more techniques and explanations is on my website for members, but I put together a shorter version for YouTube.

We are very serious about the internal arts but we have a lot of fun when we practice. I think it shows a bit on the videos we do. Please watch this and you'll learn something about how to escape from a joint lock. Silk-Reeling energy is very helpful against joint locks, and silk-reeling relies on other internal body mechanics, too. This is a narrowly focused video. It doesn't necessarily show how to "soften someone up" before escaping, or what to do as a follow-up, but the information here will be helpful in the real world.

 

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10 Quick Ways to Break or Lock an Elbow with Chin-Na Joint Locks

Most traditional martial arts styles give names or numbers to joint-locking techniques. In Chinese chin-na (also spelled qinna), we have names such as "Half Moon," or "Push the Boat Down the Stream." I have always loved these descriptive, poetic names, but sometimes they get in the way.

The best way to learn chin-na is not to memorize names and techniques. The best way is to look at principles -- look at the way joints move -- and then do free-flowing sparring exercises and push hands to practice recognizing opportunities for joint locks when they arise in a fight.

IMPORTANT RULE FOR CHIN-NA:

When someone attacks you, you will NEVER be able to say, "I'm going to get that guy in an Outside Wrist Twist." If that is what you are planning, he will probably knock you out while you are looking for your opportunity.

The best plan is no plan. And that is what practice is for.

You practice with this goal in mind: you want to be able to recognize opportunities for joint locks that arise dur...

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Martial Artists - Are You Making This Mistake with Your Body Mechanics?

Martial artists with any experience at all believe they're generating a lot of power with their movements. In my first kung-fu class as a student--way back in September, 1973--we stood and punched, snapping our hips with the punch to add power to the technique.

As I've studied and taught the internal arts, I had to learn body mechanics that are very different from the other kung-fu, taekwondo, and boxing instruction I had received in the past.

ConnectBody1

A little over a week ago, I held a workshop for all martial artists on the fighting applications of the Chen Tai Chi 38 form. Attendees included students and teachers from a wide variety of arts, from Shaolin and taekwondo to a Yang style teacher. There were white belt students and very high-ranking black belts.

And almost every one of them made one mistake. I knew they would, because everywhere I go--every martial artist I meet--makes this mistake.

Their movements are not connected from the ground through the body. ConnectBody2 

Here are some photos ...

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Key Principles of Chin-Na and Joint Locks

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I'm working on the new website (www.internalfightingarts.com), putting new DVD-quality video on it every day. It's an intense job to try to put all of our curriculum onto videos, into e-books, and get it up on a teaching site. The videos teach all the techniques, forms, and practice methods of the arts that I've been teaching for the past 11 years. I'm hoping to launch it to the world by July 1. In the meantime, there's SO much to do.

Today, I'm editing more video of basic chin-na and getting ready to put a 10-minute clip on the site. As I was editing, it struck me how easy self-defense can be if you can just switch to a different mindset. It struck me because I talk about it in the video that I'm placing on the new site today. :)

A lot of us, in the early years of our training, focus on techniques. For example, if he grabs me here, I should do this specific technique. Or if he pushes me here or punches there, I should do this or that.

The key to effective chin-na or any aspect ...

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