We have been shooting self-defense applications for the Bagua 8 Basic Palms form for the website. This is the first form that my Bagua students learn. It helps train circle-walking and the energies of the eight palms.
This is a quick video clip that was done while we were walking through the applications for "Embrace the Moon to the Chest," the fifth section of the form.
I drove home a quick point about peng jin and the "bubble of protection" that we try to establish. It is a zone around me -- a circle -- that means trouble for the attacker if they enter it.
Bagua is a lot like a spinning wire ball. If you punch into it, you get caught up and spun out in random directions, leaving you on the ground and broken.
There are a few quick applications at the end from "Embrace the Moon to the Chest," "White Ape Offers Fruit," and "Lion Opens its Mouth."
I'm preparing a series of video lessons for the online school on baguazhang fighting. Bagua is a difficult art. It requires the same body mechanics as good tai chi, and like tai chi, bagua takes many years of practice to become proficient.
A Bagua fighter has three main goals -- uproot, unbalance, and control the opponent's center. It is really not much different than Chen Taiji, but it employs a few different methods.
For example, it is said that a Bagua fighter disappears in front of his opponent and suddenly he is behind the opponent. Of course, this makes some people think of magic, but physically, it's a matter of turning your opponent or change his positioning in some way so you are behind him.
Bagua fighting involves fast footwork, quick changes in direction, developing a "moving root," and most important--the key to bagua fighting--to capture and control your opponent's center.
This isn't necessarily as difficult as it sounds. You just need to be shown so you can begin ...
During the past week, I've been dusting off a bagua form - the Cheng style "8 Palm Changes" form.
I work in a university, and late this afternoon I was waiting for the president to arrive for a meeting. Everyone else had gone home, so I waited in the secretary's office, practicing one bagua movement from the form. The movement is "Yin Yang Fish."
It involves very tight circle-walking -- so tight that it just looks as if you're spinning. I practiced the movement slowly, then fast, then slowed it down and analyzed it. I looked for blocks, strikes, and joint locks hidden in the movement and the changing positions of the hands.
I worked for one hour on this one movement, and I felt liberated. I felt as if I was truly studying the art.
Too often, we believe that quantity of techniques is the goal. The more techniques we learn, the better.
That isn't necessarily true. Sometimes, you must take one technique--one movement--and unlock its secrets. Study the body mechanics, the shifting ...
I'm not sure where these tips came from, but I thought I'd pass them on because they're good ones for the practice of Baguazhang.
1. Keep the head upright and neck straight (but not tense) with spirit and intention.
2. Keep the back rounded, stretched and natural, not stiff.
3. Keep the shoulders relaxed and dropped (so power can reach the hands).
4. Keep the arms closed inward -- front arm bent and extended; rear arm protects the body.
5. Drop the elbows. The role of elbows is to protect within attack.
6. Palms - the thumb is spread outward, fingers extended and fanned as if holding a teacup. The tiger's mouth is round and separated.
7. Waist is like an axle - hardness and softness exist together. There is twisting and turning with strength and agility.
8. Keep the hips under the body - don't let them protrude. Relax the lower back.
9. The front thigh leads the way and the rear thigh supports. Knees are kept together and both thighs protect the crotch.
10. The inner foot (th...
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