Ken Gullette's Internal Fighting Arts

Each time I've had the pleasure of learning from a teacher or a tai chi master, I've taken notes. It's hard to retain everything, so I try to write as much after each session or day as possible. I've been sorting through papers and tossing stuff, and I ran across a lot of notes that I hadn't seen in a while.

One of my favorite memories of Grandmaster Chen Xiaowang was at a workshop near Washington, D.C. sponsored by C.P. Ong. Nancy and I flew to D.C. so I could study at the workshop. The participants were doing standing stake and CXW was going around the room correcting everyone. When he came up to me I had my eyes closed and he moved my hands in just a little. I smiled, opened my eyes, and he was smiling at me, his face just inches away. He softly chuckled in a friendly way and went on to the next person.

CXW likes to compare tai chi to driving a car. He says if a wheel is broken you can't drive well. If your posture is broken, it's hard to do proper tai chi. That's why, when you be...

The martial arts are full of legends--tales of masters who could fling a larger opponent across a room with the flick of a finger, or masters who could defeat a crowd of martial artists without being injured.

One legend tells of a young student who wanted to learn a form from a master. According to the legend, the master performed the sequence of movements one time, turned to the student and said, "I will be back in one year. You master this form!"

One year later, according to the legend, the master returned and the student had, in fact, mastered the movements. And he didn't even have a DVD player!

I'm a visual learner and I've studied martial arts since 1973, but I still can't memorize more than two or three moves in a row by just watching a performance once. In 1978, however, when I bought my first VCR, it opened up a new world of martial arts training for visual learners like me.

Imagine if you had videos of some of the great martial arts masters of the 19th Century. Imagine if you coul...

I'm working on the new website (www.internalfightingarts.com), putting new DVD-quality video on it every day. It's an intense job to try to put all of our curriculum onto videos, into e-books, and get it up on a teaching site. The videos teach all the techniques, forms, and practice methods of the arts that I've been teaching for the past 11 years. I'm hoping to launch it to the world by July 1. In the meantime, there's SO much to do.

Today, I'm editing more video of basic chin-na and getting ready to put a 10-minute clip on the site. As I was editing, it struck me how easy self-defense can be if you can just switch to a different mindset. It struck me because I talk about it in the video that I'm placing on the new site today. :)

A lot of us, in the early years of our training, focus on techniques. For example, if he grabs me here, I should do this specific technique. Or if he pushes me here or punches there, I should do this or that.

The key to effective chin-na or any aspect ...

This photo of me and Nancy isn't taken at the best angle. We're both having bad hair days. I was playing around with a camera and suddenly held it in front of us and snapped the picture. Although it isn't the most flattering shot, I love this picture because it captures an essence that is at the heart of our marriage.

After 4 1/2 years of marriage, we can't wait to see each other at the end of the day. We can't wait for the weekend so we can hang out. We laugh our heads off every day. We're both able to be ourselves. I can be silly and so can she. And both of us know for certain that I've got her back and she's got mine.

This is my third marriage. It took me nearly 50 years to find Nancy. I treat her the same way I've treated every woman I've every known (we don't really change our personalities, you know). The difference is that she's the first woman in my entire life that I've been able to depend on. And a year ago she turned to me and said, "There's one word that comes to my mind...

We practice techniques in class--chin-na for example--and we do it in a way that won't hurt our training partner. If we go too far, we can snap something and our partner won't be able to train for a while.

Unfortunately, a lot of beginners who haven't developed the right self-control tend to apply too much force too quickly and can hurt the people they're training with.

The result is a watering down of techniques. Too often, an arm bar is practiced as a technique that causes pain and puts your opponent in a bent-over or on-the-ground position of vulnerability. The same happens when practicing a wrist lock such as the one we call "half-moon" against a grab. Enough pressure is applied to cause pain and that's it.

In reality, if you get into an actual fight, it's a very serious matter. Someone is likely to need a trip to the ER at the end of the fight. At this point, you certainly don't want to worry about hurting your attacker. In fact, you want to hurt him quickly before he hurts yo...

I've studied several arts since 1973 -- Shaolin, wushu, taekwondo, boxing -- and attained ranks in Shaolin (brown belt) and TKD (green belt) before finding the internal arts.

The internal arts that I practice -- Hsing-I, Chen Tai Chi, and Bagua -- are the most difficult arts I've encountered. For a beginner, it's impossible to learn them properly from books, photos, or videos.

It Has To Be Shown (IHTBS).

My first encounter with top-level internal arts instructors (those with training in actual internal body mechanics) was Jim and Angela Criscimagna in Rockford, Illinois. They also introduced me to the Chen way of training and masters such as Chen Xiaowang and Ren Guangyi.

I met Jim and Angela after reading internal arts posts on the Internet that I didn't understand, using terms I'd never been taught. One hour after training with Jim for the first time, I drove away from Rockford realizing that I had to start over.

Not everyone can make that decision. We invest a lot of time, mo...

In December 2000, a kung fu teacher from China named Master Wang held a seminar at my friend John Morrow's school in Moline. Several students showed up to study a variety of kung fu and tai chi techniques. I enjoyed meeting him, and it was obvious he had studied a while. Being a skeptic, I doubted that he was a real master. Anyone can come over from China with a little experience and fool us Americans. Many do.

But I still enjoyed the seminar. Master Wang had us practice different techniques with a partner, and he kept watching me. He said something to his interpreter, and the interpreter came over to me and said, "Master Wang says that you have kung fu."

Well, I was flattered. At the end of class, the interpreter told me that Master Wang was in town helping to build a Chinese restaurant for a friend, and he would like to train with me while he was there. He and the interpreter came over to my school twice a week for a few weeks. It was an interesting experience, and I learned as muc...

Chen Bing is the nephew of Chen Xiaowang and Chen Xiaoxing. He has a college degree, and it doesn't take long to realize that he has a different style than his uncles--more involved, more accessible.

I met him in Chicago at a push hands seminar. He put one hand on my left shoulder, and I put my hand on his left shoulder. The object was to push the other person off-balance. Each time I pushed, he relaxed, and before I knew it I was falling off-balance.

It's the same thing that I felt when pushing hands with Chen Xiaoxing. When force comes in, it's met with relaxation and neutralization, not force. It's one of the things that really marks the difference between "external" and internal arts. I've rarely met a karate or TKD person, or even another kung fu person for that matter, who understands the concept of relaxed strength. Force comes in and you relax and deal with it.

This is a skill that I grapple with, trying to ingrain it into my reflexes. One of the most difficult things to do ...

This picture was taken in 1974, when I had earned my green belt from Grandmaster Sin The in Shaolin kung fu. I'm holding the "Staff of Death," which I and my students still use in our school. This staff has made dozens of moves with me--it has traveled with me to homes in Kentucky, Ohio, Nebraska, Iowa, Illinois, and soon--Florida.

Our school is closing at the end of May. I'm taking a position as director of media relations at the University of South Florida. I'll be the university spokesperson and I'll work to get publicity for them, as I have done for ACT--the company that produces the college admissions exam--for the past 8 years.

It's a little strange to look at this picture, this 21-year old kid 33 years ago, and think of the journeys I've taken through the martial arts and through life. Even though it's 33 years later, I feel as if I've only scratched the surface of martial arts. There is so much more to learn.

When I take the Staff of Death to Florida, I'm excited at the pros...